Collections

The Collections are presented as Volumes

VOLUME I: PASSAGES

Passages began in the city: the lines we move through every day and the small architectural details that often go unnoticed. I kept coming back to the way a city reveals itself through movement: long corridors of light between buildings, the shadows cast by fire escapes, the rhythm of tiled floors, and the spaces that appear in the gaps of an urban skyline. These everyday moments became starting points for the collection.

I found myself sketching the lines of streets I’d walked, the shapes of stairways, cracks in walls, the negative spaces between structures, and the way horizons break into steps and layers. The pieces are built from those impressions. They follow the idea of passage and how we travel through places and what we see in passing.

VOLUME II: RIDGES

Ridges is built around the idea that structure often comes from small irregularities. The starting point was a library in China, where the sweeping shelves formed ridged lines that weren’t perfectly uniform. That asymmetry became the basis for the collection.

From there, I looked at other ridged elements in architecture such as stepped buildings, layered stone, repeated lines that shift slightly as they move. These details aligned with the wabi-sabi idea that things do not need to be perfectly even to feel complete.

The open rings follow the same direction; the idea that something unfinished can be intentional.

VOLUME III: ANGLES

Angles is built around the sharp lines and zig-zag forms that appear throughout my work. This pattern is a signature of the brand: etched inside bands, integrated onto the backs of earring, used on clasps, and built into stone baskets. With this collection, I wanted to bring that motif forward as the main structure rather than a hidden detail.

The pieces draw from architectural angles found in stairways, steel frameworks, roof junctions, and the strong directional lines that define many buildings. The zig-zag became a way to translate those architectural elements into metal: repeated, stepped, or used as a single striking angle.

VOLUME IV: SPIRALS

Spirals focuses on Art Deco and movement, with a strong influence from the Jazz Age. Music has always been a major part of my life, my grandfather was a trumpeter and even played with Louis Armstrong a few times, so the energy and rhythm of that era naturally shaped the collection.

I wanted the collection to reflect the movement and joy of dance from that period, the feeling of motion, repetition, and vibrance that defined the Jazz Age, so I brought in the spiral motif and draped pieces like long earrings and necklaces that draped down the back. Color became important too; the use of brighter stones brings a sense of energy and liveliness that felt essential to the era and to the spirit of the collection